In the 1950's, Michael Ventris put forth his theory for deciphering Linear B, an alphabet used for a language that has been attributed to the Mycenaeans. Ventris, an architect and classical scholar, received great support from Cambridge's John Chadwick, and his works gained acceptance in the greater scholar community as the 'correct' method for realising the language written in Linear B. Since this time it has gained common acceptance and is assumed as unquestioned by most, but the decipherment is not complete, as there are still some important issues that remain outstanding and unsubstantiated. A number of words, for instance, are not known, while others have only approximate but unconfirmed meanings. Another matter that has been flagged by critics is the allowance for signs to be pronounced and transliterated in more than one way, leaving the choice to the discretion of the translator and not the formula. Below are some examples of when this occurs:
Pa can also be Pha or Ba.
Pe can also be Phe or Be.
Pi can also be Phi or Bi.
Q (Kw) can also be Khw and Gw.
Below is a list of 'deciphered' words from the Linear B inscriptions by individuals that used Ventris' formula.
An (negative prefix) - No, None
Anijapi (instrumental plural) - Reins
Apiporewe - Amphora
Aporewe (dual in origin -rewe) - Amphora
Apiqoro (nominative plural) - Waiting Women
Araruja (feminine plural participle) -Fitted
Atopoqo (nominative plural) - Bakers
Atoroqo (dative singular) - Man
Dipa - Vessel
Dipae (dual) - Vessel
Iqo - Horse
Kako (nominative singular) - Bronze
Karuke (dative singular) - Herald
Kerajapi (instrumental plural) - of Horn
Koru - Helmet
Koruto (genitive singular) - Helmet
Mewijo - Small(er)
Mezo - Large(r)
Mezoe (dual) - Large(r)
Ono - Ass
Owe - Ear
Pakana - Swords
Pawea - Cloths
Piara - Dish
Pijera - Dish
Ponikeqe (dative singular) - and a Phoenix
Poro - Foal
Qetoro - Four
Qetoropopi (instrumental plural) - Quadruped
Taranuwe - Footstool
Tiri - Three
Tiripo - Tripod or Three-legged
Tiripode (dual) - Tripod or Three-legged
Torake - Corslets
Here are some translations and transliterations provided by Chadwick, and the complete Mycenaean alphabet with the sounds suggested by Ventris.
Here is a rebuttal by Chadwick against Beattie, who was a critic of Ventris' work, in which he also explains a simple formula for deciphering words.
I think this should be enough information to start with, any constructive input would be appreciated. The efforts of Chadwick and Ventris appear very convincing in many areas, not so convincing in others. Something monumental, drastic and significant happened to the Mycenaeans which resulted in their disappearance that cannot be dismissed with a simple claim of 'Greek' continuity. While there is no doubt that some Mycenaean words and linguistic elements survived in the language of the incoming 'Dorians', a language that later came to be known as 'Hellenic', the percentage is arguable. Therefore, I will not refer to Mycenaean as 'Greek', because I am of the opinion that Mycenaean is an ancestor tongue and substratum of Greek that contributed to its vocabulary, but not 'Greek' as it has been historically known since the works of Homer. Here are a couple of things I would like to know:
- How did Ventris come to his conclusions regarding the sounds attributed to each symbol?
- Are the sounds attributed to each symbol in Linear B, the same sounds in their corresponding or equivalent symbol (if they exist) in other alphabets such as Egyptian Hierolyphics, Arcado-Cypriot and Linear A?
- With in excess of 80 signs in Linear B, why would there be a need to use one letter for multiple sounds?
For anybody interested, this is the book of Chadwick that I have been reading through. The complete book is not in the link, but I have posted the missing pages relating to the sign/sound values from a hard copy that I have in my possession.
Pa can also be Pha or Ba.
Pe can also be Phe or Be.
Pi can also be Phi or Bi.
Q (Kw) can also be Khw and Gw.
Below is a list of 'deciphered' words from the Linear B inscriptions by individuals that used Ventris' formula.
An (negative prefix) - No, None
Anijapi (instrumental plural) - Reins
Apiporewe - Amphora
Aporewe (dual in origin -rewe) - Amphora
Apiqoro (nominative plural) - Waiting Women
Araruja (feminine plural participle) -Fitted
Atopoqo (nominative plural) - Bakers
Atoroqo (dative singular) - Man
Dipa - Vessel
Dipae (dual) - Vessel
Iqo - Horse
Kako (nominative singular) - Bronze
Karuke (dative singular) - Herald
Kerajapi (instrumental plural) - of Horn
Koru - Helmet
Koruto (genitive singular) - Helmet
Mewijo - Small(er)
Mezo - Large(r)
Mezoe (dual) - Large(r)
Ono - Ass
Owe - Ear
Pakana - Swords
Pawea - Cloths
Piara - Dish
Pijera - Dish
Ponikeqe (dative singular) - and a Phoenix
Poro - Foal
Qetoro - Four
Qetoropopi (instrumental plural) - Quadruped
Taranuwe - Footstool
Tiri - Three
Tiripo - Tripod or Three-legged
Tiripode (dual) - Tripod or Three-legged
Torake - Corslets
Here are some translations and transliterations provided by Chadwick, and the complete Mycenaean alphabet with the sounds suggested by Ventris.
Here is a rebuttal by Chadwick against Beattie, who was a critic of Ventris' work, in which he also explains a simple formula for deciphering words.
I think this should be enough information to start with, any constructive input would be appreciated. The efforts of Chadwick and Ventris appear very convincing in many areas, not so convincing in others. Something monumental, drastic and significant happened to the Mycenaeans which resulted in their disappearance that cannot be dismissed with a simple claim of 'Greek' continuity. While there is no doubt that some Mycenaean words and linguistic elements survived in the language of the incoming 'Dorians', a language that later came to be known as 'Hellenic', the percentage is arguable. Therefore, I will not refer to Mycenaean as 'Greek', because I am of the opinion that Mycenaean is an ancestor tongue and substratum of Greek that contributed to its vocabulary, but not 'Greek' as it has been historically known since the works of Homer. Here are a couple of things I would like to know:
- How did Ventris come to his conclusions regarding the sounds attributed to each symbol?
- Are the sounds attributed to each symbol in Linear B, the same sounds in their corresponding or equivalent symbol (if they exist) in other alphabets such as Egyptian Hierolyphics, Arcado-Cypriot and Linear A?
- With in excess of 80 signs in Linear B, why would there be a need to use one letter for multiple sounds?
For anybody interested, this is the book of Chadwick that I have been reading through. The complete book is not in the link, but I have posted the missing pages relating to the sign/sound values from a hard copy that I have in my possession.
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